Tharntawan is the owner of a vineyard and famous resort. She is just as vicious and sharp to her enemies as she is beautiful. However, in the resort industry, there are many people ready to knock you down and so every day is a new challenge for Tharntawan. Along the way, she meets a boy who finally warms her heart. For Tharntawan is just like a fiery sunflower. Fiery like the sun to her enemies, and devoted like the sunflower to the person she loves.

A Chinese businessman (ผู้จัดการ) (Boo Wibunnan) needs to give protection fee to the mafia.

A family drama about the entangled conflict, love, and reconciliation of the characters around them, centered on Mammal's eldest daughter Jin Ju and Eun Ju's sister Eun Ju, who grew up with her parents' love.

A virus has decimated humankind. Those who survived emerged blind. Centuries later when twins are born with the mythic ability to see, their father must protect his tribe against a threatened queen.

该剧由《浴血黑帮》编剧斯蒂文·奈特担任制作人，弗朗西斯·劳伦斯([红雀])执导，奈特与劳伦斯共同操刀剧本。剧集讲述在未来的世界，人类失去了视力，社会必须找到新的方式来交流互动、捕猎与生存。一对有视力的双胞胎诞生，所有这一切都受到挑战。莫玛将饰演一个无所畏惧的战士、领导者和守护人。

On one hot summer day in a cafe by a university, three high school girls get together. They talk about coffee, smoking and love, but none of them are truthful.

Tensions rise between a young Deaf couple discovering they are about to become parents. Featuring 2018 Tony nominee and Eternals star Lauren Ridloff.

這段影片試圖通過靜態與動態影像的組合呈現碎片化的城鎮記憶。這些記憶是非連續的片段，並且被去除了原有的地理上的、時間上的和文化上的語境。它們在不斷變化的過程中塑造了我們對周圍生活環境的認知，但卻無法將我們與真實的記憶聯繫起來。最終在它們的影響下，我們將徘徊在現實與虛幻、過去與現在、地方與非地方之間的碎片中。 　　This experimental film was originally a video installation. It showcases fragments of urban recollections that one fails to place. These fragments are discrete, out-of-context and removed from geographical, chronological, and cultural frameworks. The still and motion images function in different manners of shaping our impressions to the urban landscape but both fail to connect us to the real memories. Eventually they linger as pieces in between the reality and fantasy, past and present, places and non-places.

這段影片試圖通過靜態與動態影像的組合呈現碎片化的城鎮記憶。這些記憶是非連續的片段，並且被去除了原有的地理上的、時間上的和文化上的語境。它們在不斷變化的過程中塑造了我們對周圍生活環境的認知，但卻無法將我們與真實的記憶聯繫起來。最終在它們的影響下，我們將徘徊在現實與虛幻、過去與現在、地方與非地方之間的碎片中。 　　This experimental film was originally a video installation. It showcases fragments of urban recollections that one fails to place. These fragments are discrete, out-of-context and removed from geographical, chronological, and cultural frameworks. The still and motion images function in different manners of shaping our impressions to the urban landscape but both fail to connect us to the real memories. Eventually they linger as pieces in between the reality and fantasy, past and present, places and non-places.

I see 　　You see 　　I want to see how you see 　　You want to see how I see 　　I see how you are seeing me 　　You see how I am seeing you